In one of her first full length interviews in months, Rihanna sat down with a journalist for her cover story in July's UK Esquire. The interviewer, who boldly asked what many want to know regarding Rihanna's relationship with Chris Brown and her thought process behind the "Birthday Cake" remix, certainly took more than a few shots for the team. Not one to tolerate any questions she feels inappropriate or even boring, Rihanna responded in familiar fashion, giving the interviewer a piece of her mind.
When asked about her decision to collaborate with Brown for "Birthday Cake," Rihanna replied:
“That’s how f**ked up society is. There’s a lot of s**t y’all can’t get over. Y’all holding your breath on a lot of stuff that doesn’t matter. When you realize who you live for, and who’s important to please, a lot of people will actually start living. I am never going to get caught up in that. I’m gonna look back on my life and say that I enjoyed it – and I lived it for me- and God. This is turning into a tacky interview. What do you really want to talk about? I’m not here to [talk] about messy s**t.”
While many love Rihanna for speaking her mind, this interviewer definitely deserves props as well, after dodging the singer's attitude and remaining poised and professional, according to the transcript. Unlike other interviewers of the past, this one was not so quick to let the singer off the hook, prompting her to answer the tough questions regarding her personal and professional choices of late.
Esquire: Was that [the recording session] the first time you’d seen him in a while?
Rihanna: When would we have seen each other? We’ve both been working and touring. [changes the subject]. This is really good food.
Esquire: It proved quite a controversial thing.
Rihanna: Well…definitely. Definitely. It caught me a little off-guard to be honest…especially the amount of…negative attention. Because it never occurred to me how this was a problem, you know. It really didn’t.
Esquire: Because enough time had passed that it was OK?
Rihanna: I thought people were gonna be surprised that we finally did a record together, but I didn’t see how people could think it was a bad thing, you know? In my mind, it was just music.
Esquire: Some people felt it sent the wrong message.
Rihanna: [Angrily] What was that? What message would that be?
Esquire: You’d gone back to someone who put you in the hospital.
Rihanna: [Getting angry] Oh really? Did I?
Esquire: Well… yes.
Rihanna: Did I? Did I? Did I?
Esquire: You went and recorded with him, yes.
Rihanna: Okay. In a completely professional environment. And on a complete professional note. I mean, if I went back to him [as a girlfriend], then that’s a whole different discussion. And if I ever do, then that’s something that y’all have to talk to me about when – if – that ever happens. Until then, look at it for what it is. I think a lot of people jumped to an assumption that was incorrect and they ended up looking stupid.
Esquire: The assumption you were dating again?
Rihanna: Because of a song. How stupid. If I was together with every collaborator I worked with… f-ck my life.
Esquire: Still, the lyrics didn’t do much to dispel that impression. His opening line is “Girl I want to f**k you right now/been a long time/I’ve been missing your body”. You reply: “Remember how you did it/If you still want to kiss it/Then come and get it”.
Rihanna: That was the tone before he was even on the record. You think it was going to be about hopscotch or jump rope?
Esquire: So neither of you for a minute thought “This is going to put the cat among the pigeons”?
Rihanna: I could never see anything wrong with making music.
Esquire: Maybe the thing is that as an artist your personal and private life are intertwined, and you’ve already played on this. The first song you put out after the beating incident was “Love the Way You Lie,” about domestic violence.
Rihanna: Absolutely. But “Love The Way You Lie” was me as an artist working with Eminem as an artist, telling our stories individually. On a track together. I’m lost. I’m confused as to what you’re trying to get at.
Esquire: That it’s hard to separate the person who’s been the victim of domestic violence and the pop star singing about domestic violence.