Top 10 Moments of MTVâs Lukewarm VMAs

Top 10 Moments of MTV’s Lukewarm VMAs

Twerkin’ Miley Cyrus marks a low for the Video Music Awards’ 30th anniversary

Michael Arceneaux

by Michael Arceneaux, August 26, 2013

Top 10 Moments of MTVâs Lukewarm VMAs

Somewhere in America, Miley Cyrus is still twerkin’

Last night, mainstream culture stopped being polite and started getting real about how comfortable they are appropriating Black culture—to the point where we’re not even really needed anymore, apparently. It was interesting to hear the likes of Macklemore  (who beat out Kendrick Lamar and Drake for a rap award) give thoughtful remarks on gay rights, tolerance and equality in the midst of all the whitewashing happening before our eyes. Sure, everyone involved with the VMAs referenced Brooklyn repeatedly, but somewhere along the way it seems like the thought process in planning the event was, “Hey, Brooklyn isn’t as Black as it used to be. Why should the show be?!”

That aside, the show had both its good and hysterically awful moments. All and all, I’d say the biggest winner was the BET Awards. Not only will you find Black culture in its best form on that show, but you’ll also find better samples of White people who know how to replicate it. Better luck next time, MTV. Now let’s get to the good, the bad, and the Miley.

1. Hand Clap for Lady Gaga

My main hope for Lady Gaga’s performance was that it would be good and not solely consisting of her riding a pterodactyl and singing some song that sounds like 1988 Madonna. As much as I adore Mother Monster, I find myself typically fearful of what she will do on stage. Talented as she may be, Gaga is that kid in fine arts who needs someone who will reign in for her own good.

Evidently that position remains open, because seconds into the performance, you noticed she was dressed like one of the Flying Nuns—leading you to conclude that she was about to do the absolute most (per her usual). Even so, I enjoyed her performance all the same. Everyone might not live for “Applause,” but I enjoy it, and her VMA opener only made me like it more. That new hip she had installed earlier in the year went well with her choreography. It’s as close as we’re going to get to what the legendary Ms. Britney Spears used to offer. For the life of me, I don’t understand why Britney’s handlers won’t get her doctor to write her a prescription for her rhythm (which apparently went missing after she shaved her head). Whatever… Serve the girls Stefani (even though I really, really still miss pre-head-shaved Britney).

At one point, Miley was slapping the butt of some larger Black women—even going so far as to stick her face in the woman’s booty. Had she passed gas in Billy Ray’s daughter’s face, it would’ve been a fair response.

2. Miley Cyrus’s Off-Beat Mistake

At the beginning of her performance, Miley Cyrus stepped out of a giant replica of the teddy bear Kanye West used to play with and wagged her tongue while giving us Lori Petty realness. That was pretty much the highlight of an otherwise embarrassing performance. Although Miley herself was the biggest joke of the set, you couldn’t help but notice that she was surrounded by a sea of Black women, twerking to the ground with Chewbacca fur attached to their back.

At one point, Miley was slapping the butt of some larger Black women—even going so far as to stick her face in the woman’s booty. Had she passed gas in Billy Ray’s daughter’s face, it would’ve been a fair response to the animalization and eroticizing of Black women’s bodies going on.

To be fair, Miley was making herself just as much of a spectacle, as she spent much of her time bent over, wiggling her flat, pasty butt all over the stage and eventually near Robin Thicke’s crotch. Bless her heart and her rhythm-deficient soul but that is not, nor has it ever been, twerking.

If Miley Cyrus were a nicer culture vulture in the vein of Gwen Stefani or Fergie, I’d probably feel somewhat bad over the big buffoon she’s become. Instead, she’s an obnoxious, self-important and entitled biter, so I can’t do anything but chuckle at how she’s become the class clown of pop. If there’s anyone in her life who truly cares about her, they’ll sit her down and have her watch this performance over and over with the one instruction: never again, sis.

As for Robin Thicke, who didn’t win a damn thing despite having the biggest single of the year, one wonders why he chose to align himself with Cyrus. Perhaps it was related to the realization that he may never enjoy this kind of mainstream attention again so why not make the most of it? Eh. You should’ve told them no all the same, nouveau Tom Jones.

3. Lil’ Kim Shouts Out Brooklyn the Valley Girl Way

It was nice of MTV to give somewhat of a nod to old Brooklyn by way of inviting Lil’ Kim to present an award. Unfortunately, Lil’ Kim’s voice is just as unidentifiable as the rest of her. I don’t know why she sounds like a medicated La Toya Jackson these days, but it makes me sad. Not to mention, Kimberly, of

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