UP TIGHT: 1st Blaxploitation Movie was a Baaad Mutha...

UP TIGHT: 1st Blaxploitation Movie was a Baaad Mutha...

Before Shaft, before Super Fly, there was this.

Michael A. Gonzales

by Michael A. Gonzales, January 14, 2012

UP TIGHT: 1st Blaxploitation Movie was a Baaad Mutha...

On the set of Up Tight, 1968.

By all cultural accounts, 1968 was a hellish year for America. The assassinations of Martin Luther King and Robert Kennedy helped spark the "burn baby burn" sensibility ignited in the streets. It was also during this turbulent period that Paramount Pictures reluctantly agreed to finance Jules Dassin’s remake of the classic film The Informer into militant action film Up Tight.

Moving the action from the streets of Ireland to the ghettos of Ohio, Dassin’s bleak exploration into the world of sharp-dressed Black revolutionaries introduced the Blaxploitation aesthetics that later influenced a crop of Black action films including Sweet Sweetback's Baadasssss Song (1971), Shaft (197), Super Fly (1972) and others. In addition, the film stars an ensemble of actors that would a few years later become major stars including: Ruby Dee (American Gangster), Raymond St. Jacques (Cotton Comes to Harlem), Max Julian (The Mack), Janet MacLachlan (Sounder), Juanita Moore (The Mack), Roscoe Lee Browne (Uptown Saturday Night), James McEachin (Buck and the Preacher) and Dick Anthony Williams. Best known for his role as the sharp-tongued pimp "Pretty Tony" in The Mack, this was the film debut for Chicago native Williams. Playing Corbin with the heated coolness of hot ice, his performance was brilliant.


Up Tight, whose original title was The Betrayal, focuses on a group of fictional revolutionaries called The Committee. In his otherwise positive 1969 review of Up Tight, critic Roger Ebert wrote in the Chicago Sun Times, “It's remarkable that a major studio financed and released this film.”

However, according to EBONY, in a November 1968 story on the film, the studio did try to bow out on their commitment to bankroll the film. “Paramount did not want to release the film,” stated co-star then-84-year-old Ruby Dee, who also co-wrote the script, at a 2008 screening of the film at the Brooklyn Academy of Music as part of the Afro-Punk Festival. After Dassin passionately argued the project’s relevance, a Paramount executive supposedly said, “I’m crazy, but we’ll do it.” Reportedly, the budget was little over two million dollars.  


A New York City native, Dassin grew-up in Harlem and moved to Hollywood in 1940 beginning his career as an apprentice with Alfred Hitchcock. A few years later, proving he too was a visionary filmmaker, Dassin directed the film noir gems Brute Force (1947), The Naked City (1948) and Night and the City (1950). In 1951, Dassin’s successful Hollywood career came to a screeching halt when, after being labeled a Communist before the House Un-American Activities Committee, he relocating to France. He struggled for a few years after Hollywood studios informed European producers that no Dassin film would ever be distributed in the states.

Unafraid of the repercussions, producer Henri Bérard took a chance in 1955 and hired Dassin to adapt the noir novel Rififi. The film was successful and became the template for future heist flicks including The Anderson Tapes and Ocean’s 11. Yet, while Dassin won the 1955 Best Director Award at the Cannes Film Festival, it would still be another thirteen years before he was hired by an American company to shoot a movie in the states.

Up Tight opens with stark newsreel styled footage Dassin shot of Martin Luther King’s funeral procession in Atlanta disgusted and distraught bystanders wept. “As we were finishing the shoot, Dr. King was assassinated, so Jules took his cameras down to Memphis and Atlanta and incorporated some of that footage into the beginning of the film,” Dee explained. “We then rewrote and reshot some of the film to reflect what had just happened.”

Minutes into the movie, the camera pulls back to show a group of young men watching the sad spectacle of the funeral on a television set inside a rundown Cleveland, Ohio barbershop. "I brought the story to Cleveland because I think Cleveland is more representative of a big American city than any other," Dassin told the Ohio Plain Dealer at the time. Shot in a section known as Hough, two years before the community was the scene of an infamous riot that took place over six nights, we see a community in shambles and on the verge of explosion. The tenements and tacky hotels, side streets and steel mills look as though they might blow away in the next storm. In the same way King’s death led to riots in streets major cities, it was used as motivation behind the crime in Up Tight that sets the pulp fiction aspect of the movie in motion with a failed heist of a gun armory the night of King’s funeral.

“The man from love got his head shot off,” spits Jeannie (Janet MacLachlan), one of the militants. “And all those people learned nothing.” Coldly, the organization’s co-leader B.G., portrayed superbly by Nehru jacket wearing Raymond

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